When I was 13, I wanted so badly to watch Live Aid, a benefit concert for hunger relief in Africa. Our family didn’t have cable TV, but our neighbors did. I asked if I could come over and they said sure, because they would be away for the weekend. I showed up bright and early at 6 a.m. Coming from a family that favored classical music, I played my rock music quietly in my room, and I had never even been to a rock concert live. When British superstar musicians pooled their talents as Band Aid to write “Do They […]

It seems hard to believe, but J.K. Rowling’s Wizarding World now spans two decades. The first Harry Potter novel was published in 1998, with the film adaptation premiering three years later. The last Potter film was released in 2011, ending our big screen journeys into that universe until the 2016 premiere of Fantastic Beasts and Where to Find Them, which launched the first of five—yes, five—planned spin-off films destined to push the Wizarding World well into its third decade. Fantastic Beasts: The Crimes of Grindelwald picks up a year or so after the 2016 film. Newt Scamander (Eddie Redmayne), who’s […]

Arriving in U.S. theatres next Friday (November 23) is this year’s winner of the Palme d’Or, the top prize at the Cannes Film Festival. Shoplifters was written and directed by Hirokazu Kore-eda, my favourite active Japanese director (Kore-eda has made such memorable films as After Life, Nobody Knows, Like Father, Like Son and After the Storm). Kore-eda’s films are invariably thought-provoking and deeply humanizing, two of my favourite film attributes. Shoplifters, which has been compared to Dickens’ Oliver Twist, tells the story of a poor family living in a tiny bungalow on the outskirts of Tokyo. Surrounded by apartment buildings, […]

All of that changes with a car ride. From the beginning of the film, when her father gives her the talk, we know these worlds will touch and she will be caught in the middle. Jerry L. Holsopple Many of us grow up with our real life, and the imaginary life we play in with our friends. In the movie and novel The Hate U Give, Starr, lost most of her imaginary life when her best friend was shot in a gang execution gone awry. However, she still lives two very different lives; her home in Garden Heights, a predominantly […]

David Lowery is unique, a director to watch. He’s made four films, all of them receiving critical acclaim but all of them different from one another—at least on the surface. His first, Ain’t Them Bodies Saints, is a romantic crime drama a la Bonnie and Clyde. Pete’s Dragon, a remake of an animated musical, is a moving fantasy adventure tale. A Ghost Story made my top 10 list last year. Though different, his films have a relaxed quality and use misdirection. These are on display in his latest film. The Old Man & the Gun is based on a 2003 […]

July 21, 1969 is an important day in Smith family history. My parents were watching Apollo 11 perform the first lunar landing. When astronaut Neil Armstrong stepped foot on the moon and later walked, my brother Kent, then 14 months, started walking across the room, marking his first steps on earth. The moon landing carried cultural significance as well and elevated Armstrong to superstar status. My parents experienced the event and its aftermath firsthand, and I heard about it and studied it in school. My kids, however, have studied little about space travel and the lunar landing. So when my parents, […]

A Star is Born is a well-worn entry in film lexicons, with the fourth remake of the original 1937 film hitting theaters earlier this month. This latest version of the tragic love story—which Bradley Cooper produced, directed, shares screenwriting credit for and stars in—premiered to overwhelming critical acclaim and praise for everything from the performances and music to the screenplay and direction. Cooper’s A Star is Born is not only an outstanding remake worthy of its Oscar buzz, but also a thought-provoking exploration of the power of art, and revelation of self and truth through it. Jackson Maine (Bradley Cooper) […]

The 2018 Edmonton International Film Festival (EIFF) was not as good as last year but still featured a number of excellent indie films, including two from Canada (which understandably has many films in the festival, but rarely does so well). The big surprise for me was the extraordinary coincidence of having three of my favourite five films of the 2018 EIFF concerned with senior high school classes (I’m generally not a big fan of high school films), though they could hardly be more different. Here is a brief look, in the order in which I liked them.   The Silent […]

Knowing what the truth is in a given situation seems to be particularly challenging, with news organizations being called false, and totally opposite narratives both being claimed as truth. I suggest a dosage of documentary films by Errol Morris for an antidote. He is fascinated by how we discover the truth. He believes there is an historical truth, even when it is hard to find. He suggests, “It is often said that seeing is believing. But we do not form our beliefs on the basis of what we see; rather, what we see is often determined by our beliefs. Believing is […]

Author Nick Hornby has made a nice living writing about male characters that seem to muddle through life with either a misguided purpose or little purpose at all. High Fidelity, About a Boy—and even Hornby’s memoir Fever Pitch—move along those thematic lines. All of those books became the basis of movies (Fever Pitch twice, in fact—one British and one American adaptation) where the protagonists fail to live up to others’ expectations of them. Juliet, Naked is Hornby’s latest story to hit the big screen. While it follows similar patterns of the other Hornby-based movies, Juliet differs in that the characters […]