Jerry L. Holsopple Archive
Top 10 Films of 2018 – by Media Matters Reviewers
As promised, here’s our annual list from most of our Media Matters reviewers, reflecting a pretty good year for film! Read and enjoy (or argue in the comments!) and file or bookmark this post for your film viewing queues! Several lists count down from ten meaning the best pick is last, others don’t prioritize their lists. But always fascinating what Mennonites are loving in the realm of film. Lists posted in the order they were received. (As always forgive the various list formatting of our beloved quirky reviewers. But don’t miss their descriptions/rationale for vote and placement.) Vic’s Top 10 […]
The Hate U Give
All of that changes with a car ride. From the beginning of the film, when her father gives her the talk, we know these worlds will touch and she will be caught in the middle. Jerry L. Holsopple Many of us grow up with our real life, and the imaginary life we play in with our friends. In the movie and novel The Hate U Give, Starr, lost most of her imaginary life when her best friend was shot in a gang execution gone awry. However, she still lives two very different lives; her home in Garden Heights, a predominantly […]
Four documentaries by Errol Morris
Knowing what the truth is in a given situation seems to be particularly challenging, with news organizations being called false, and totally opposite narratives both being claimed as truth. I suggest a dosage of documentary films by Errol Morris for an antidote. He is fascinated by how we discover the truth. He believes there is an historical truth, even when it is hard to find. He suggests, “It is often said that seeing is believing. But we do not form our beliefs on the basis of what we see; rather, what we see is often determined by our beliefs. Believing is […]
The King and Won’t You Be My Neighbor
Filmmaker Eugene Jarecki takes the front seat in Elvis Presley’s 1963 Rolls Royce to explore America in a new film, The King. The coast to coast drive explores the American Dream, the roots of rock and roll, the 2016 U.S. election and the nature of success using Elvis as the metaphoric story. Ethan Hawke shares, near the end, that Elvis at each juncture in his career chose money, more money rather than what might have made him happy or fulfilled. Jarecki uses this theme to make social commentary on the U.S., suggesting that the dream is dead, or really […]
Third Way’s Picks for Top Ten Films of 2016
Third Way’s Picks for Top Ten Films of 2016 The quirky personalities, film viewing habits, and divergent ways of putting these lists together (we don’t tell them how to do it) comes through once again in this round of “Top 10 Movies of 2016” from our of our tremendous Third Way reviewers—in the order they were received. Don’t forget about this handy round up when you add must-see flicks to your lists, however you keep them. Vic’s Top Ten Films of 2016 Counting down a year of mystery and magic from number ten: Moonlight – Barry Jenkins’ beautifully-acted film about […]